Prague exhibition documents Slovak National Gallery decline

DW News · Feb 12, 2026 · Collected from RSS

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When Robert Fico returned to power and formed his fourth administration in late 2023, Alexandra Kusa knew her 14-year tenure as the head of the Slovak National Gallery was likely coming to an end. The Ministry of Culture had gone to the far-right Slovak National Party. A former TV presenter named Martina Simkovicova — who made her name spreading COVID disinformation on YouTube — was awarded the ministerial role. "There had been signs for quite some time, because other directors were being dismissed as well," Alexandra Kusa told DW from Bratislava. "They were also signaling publicly what they didn't like," she said. Major shift in Slovak culture policy Minister Simkovicova said she wanted official Slovak culture to better represent what she called traditional Slovak values, rather than work that explored liberal or LGBTQ+ themes, for example.'The culture of the Slovak people should be Slovak. Slovak and no other,' Minister Martina Simkovicova said in 2023Image: Martin Baumann/TASR/dpa/picture alliance "The culture of the Slovak people should be Slovak. Slovak and no other. We tolerate other national cultures, but our culture is not a mixing of other cultures," Simkovicova told reporters in November 2023, setting out what would be her cultural policy priorities. Within six months, that policy began to result in personnel changes. The head of the Slovak National Library was removed, followed by the director of the Slovak National Theatre in August 2024. Kusa drafted a statement of support. The next day she, too, was fired. Head of Slovak National Gallery dismissed "Journalists began asking the ministry why I had been dismissed, and that's when they began inventing all sorts of reasons, constantly changing them," said Kusa. "First it was because the gallery was empty. Then because it was too full. Then because there was no Slovak flag outside the building. Then because of the renovation work that had taken place two years earlier," Kusa added.Artists send a clear message to the Slovak authorities: 'Don't take our culture away'Image: Photo © The Prague City Gallery/Leontina Berkova/DW "They never announced the real reason, which is that they simply didn't want to work with us, which is a shame, because it was the truth. It wouldn't have cost them anything," she said. 'It's a different universe' Not that Alexandra Kusa could imagine working with Martina Simkovicova and her colleagues at the ministry. "They're not interested in cooperation. They're not really interested in culture. They have this feudal idea of management — my person, your person — the result doesn't interest them. You can't work with someone like that," Kusa told DW. "It's not a different opinion about culture. It's a different universe." Over 100 curators and other staff left the Slovak National Gallery after Kusa's firing. She was replaced by three temporary directors in quick succession. Artists protest and a 'cultural strike' Artists protested in vain as their work was stripped from the walls. Major exhibitions were cancelled. International partners withdrew their cooperation.Posters highlighting the 'Cultural Strike' and the Free National Gallery in Bratislava at the exhibition in PragueImage: Photo © The Prague City Gallery/Jan Kolsky/DW Last summer, the turmoil spilled into the street, when activists set up a symbolic protest space next door, calling it the "Free National Gallery." It was part of a broader protest movement known as the "Cultural Strike." Alexandra Kusa has now curated a new exhibition at Prague City Gallery in neighboring Czechia, documenting the saga of the Slovak National Gallery. The ground floor of the exhibition, which is entitled "Free National Gallery – Description of a Struggle," is a meticulous recreation of the firings and hirings and public protests. The first floor contains works by Slovak artists whose works will no longer be displayed in the country's most prestigious art gallery.A clear warning for other countries "Why are we doing this exhibition? To show that all these things can happen very quickly, very rapidly, and that open society is under pressure," said Magdalena Jurikova, director of Prague City Gallery.An exhibit in Prague City Gallery provides a graphic timeline outlining events and developments relating to the Slovak National Gallery since the election of Robert Fico's government in 2023Image: Photo © The Prague City Gallery/Jan Kolsky/DW Jurikova told DW that what happened in Slovakia carries a clear warning for other countries, including Czechia, where a conservative populist government took power in January. Public TV and radio in Slovakia also affected The Culture Ministry's remit in both countries extends to the national broadcasters. In Slovakia, critics say that institution has been gutted and brought to heel. Czech TV and Radio — which is funded by a license fee — is still largely free from direct political interference. For now. "Nobody knows what will happen. We're only a few months into the Babis government, but there are problems with the financing of public TV and radio. And those are the first steps," Jurikova told DW. Thawing of relations at ministerial level Martina Simkovicova recently visited Prague, part of a gradual thawing of relations under Prime Minister Andrej Babis after a chilly few years.Members of the public hung notes on a fence outside the Slovak National Gallery in response to the events following the dismissal of the director general of the gallery Image: Photo © The Prague City Gallery/Lenka Marfoldy/DW She met her Czech counterpart Oto Klempir, who caused some alarm by telling reporters afterwards that the Slovaks were "ahead" of the Czechs in reforming their public media funding, saying she'd advised him on what "pitfalls" to avoid. Klempir has previously defended the Czech license fee, although it's unclear for how much longer he will do so. Back in Bratislava, Alexandra Kusa says the Slovak National Gallery is largely empty. Artists have boycotted it. The public avoids it. "We've seen what they put on show. Just a bit of folklore, a few flags on buildings. That's not culture. That's cliche. It's hollow," she said. "Today it's a house of ghosts." Edited by: Aingeal Flanagan